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For every bookmaker has a rule for what happens to a wager if it is placed on an event that ends up being abandoned for some reason. As with pretty much anything in countries like the UK, weather can have a massive impact on whether an event is likely to finish. Obvious examples include such things as lightning storms or flash floods, but snow flurries that make it impossible to see the markings on the pitch or the ball can also give the match officials pause for thought. Crowd safety will always be one of the first things that is taken into consideration by those who decide whether or not a match will be allowed to carry on.

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Work and fun went hand in hand as punks created a micro-model of society — a utopia? Between and , anti-communist propaganda was omnipresent and baseball became an essential tool in containing communism and promoting the American way of life. The Dodgers managed to tap into the popularity of the anti-communist rhetoric to serve local interests.

Marquis concluded by opening up a number of questions: was this strategy efficient? Who did it benefit? Who orchestrated it? And was baseball even construed as leisure? A certain sense of national identity, of Englishness goes hand in hand with this cultural theater of leisure.

The pictures take on a social dimension, emphasizing the connection between people in public spaces like beaches and parks. Since , three major memorials and three minor ones have been built, while many additional proposals were submitted.

Hass first enhanced the late 20 th century memory boom, which encompassed various periods and events, especially the Holocaust, the Cold War and the Vietnam War. It marked a new awareness in terms of history, legacy and memory, a new conscience of anniversaries and an urge to repair and restitute. After the Vietnam Veterans Memorial was dedicated in , it attracted millions of visitors but it also terrified the military elite, who feared it would prevent young people from enlisting.

The Korean War Veterans Memorial was meant to be the opposite of the Vietnam Veterans Memorial: it was heroic and celebratory, it glorified American heroism and inspired people to join the military. It was created as a fantasy of a military that had never existed. The sculptor, Frank Gaylord, was asked to make the figures as masculine and racially neutral as possible. He emphasized the enthusiasm for racing in postwar America, as people were looking for more speed power and individuality.

The automobile was considered to be at the forefront of the democratization of American leisure. Sports cars, which originated in Europe in the late s, offered a fun, alternative automotive experience for a demanding sporting community. A variety of cars quickly became available for consumers, from middle-class Americans to millionaires. In the s, magazines like Time and Playboy showed sports cars in virtually every issue.

There were many women sports car enthusiasts and a significant number of female racers Denise McCluggage, Donna Mae Mims. However, the world of sports cars was also shaken by class tensions, police persecution and pressure from trade unions to remain loyal to American work rather than import foreign sports cars. Among other problems raised by the automotive culture were the rise in deaths on the roads and in CO2 emissions.

Stricter safety standards were introduced and car speeds were capped in the s. In the early 21 st century, the passion for British sports cars took on a new meaning as car enthusiasts celebrated Great Britain, the mother country, for language, culture, and cars. Investigating how artistic and political alternatives were conjointly pursued, Bertrand focused on several community art projects such as Interaction or Jubilee Arts and showed how they addressed access to culture as a class issue.

By challenging hierarchies and elite definitions of art, community artists elicited new forms of agency in underprivileged social groups, making leisure a force for social empowerment. While allotment gardening in 19 th century Britain is often interpreted as a form of charity and a means for landowners to discipline agricultural workers and deflect their discontent, gardening is in fact a hybrid ground entwining the useful and the esthetic, the natural and the man-made, work and leisure, discipline and empowerment.

Throughout the 19 th and early 20 th centuries, allotment gardening represented an ideal of self-improvement and empowerment, and a potential cure to social disruptions. A patriotic activity during the two World Wars, gardening is today a means for citizens to address environmental questions, engage in the political debate about sustainable agriculture and, like their 19 th century forerunners, reclaim a form of social agency.

Leisure first developed between and as a means to educate workers by providing free entertainment and a place to meet outside work. Leisure became institutionalized between and , with the creation in of the Recreation Club and the diversification of activities such as cricket, football, choral and drama sections. Although the two World Wars put the development of the Recreational Club to a halt, leisure activities resumed in the post-war period with the opening of new activities, popular sports, but also dancing clubs and a Film Society where men and women could meet.

As an opportunity to find a future spouse, leisure at the firm was also a chance for women to engage in activities traditionally reserved to men. Yet, the paternalistic attempt to prevent working-class gambling by prohibiting cash betting failed to preclude this form of leisure. Indeed, gambling moved to the streets and became a distinctive feature of the underground economy, facilitated by a high level of police corruption and the development of an unofficial administrative regulation.

Though illegal, street betting remained highly popular after World War One, giving rise to a debate between supporters of a gambling regulation and defenders of the prohibition status quo. Wolcott reconsidered the struggle for racial equality through the lens of recreational places and expanded the scope of the historiography of the Civil Rights Movement by showing how African-Americans challenged segregation at amusement parks, swimming pools, and skating rinks throughout the 20 th century.

Contrary to the commonplace image of urban amusements as places of democratic leisure, segregation and violence were also key features of these spaces. Thus, African-Americans challenged racially exclusive recreational facilities and vindicated their rights to access them. Indeed, desegregation in the s coincided with disinvestment in recreational places increasingly associated with African-Americans, while narratives about juvenile delinquency and the necessity of segregation for violence prevention flourished.

In this context, violence in recreational spaces played an ambiguous part, both as an imagined narrative linked with African-Americans, and as a strategy used by white mobs attacking recently desegregated recreational facilities in order to have them shut down. The decline and devaluation of collective recreational spaces ensued in the s when white consumers started to shun these places, many of which were either closed down or privatized in the years following desegregation.

The current nostalgia for urban recreation therefore ignores the violence of racial exclusion, which remains a blind spot in the historiography of Jim Crow segregation. The question was raised as to whether the translation of a ritualized practice into a professional sport and a form of leisure could be considered as an epistemological break or a hybridization process.

Baggataway was considered by Native American populations as both sport and worship insofar as playing was a propitiatory ritual and a means to communicate with the spirit world. The practice was also appropriated by Canada in an effort to promote its national identity. The institutionalization of Lacrosse as a sport derived from Baggataway resulted from a strategy to inscribe modern Canadianism in a lineage of Native American sports, differentiate Canada from the United Kingdom and the rest of the Commonwealth, and encourage immigration from Europe.

Despite its folklorization of Native American practices, Lacrosse remains indebted to the original spirit of Baggataway insofar as the violence inherent to the traditional practice has resisted the codification of the game. The Fred Harvey Company played a central role in this process by perceiving that Native cultures and populations might appeal to people traveling by train in the Southwest region and eventually boost tourism in New Mexico.

Buildings, Navajo rugs and other traditional artifacts were intended to attract tourists and potential buyers, and promote a sort of local color conducive to the development of the Native economy. Automotive tours were meant to divert passengers from the railroad and drive them through New Mexico from Indian sites to living pueblos. Despite the colonial undertone of these projects, Native American populations, especially women could also find in this economy a means of empowerment.

Add Social Profiles Facebook, Twitter, etc. Unfollow Follow Unblock. Other Affiliations:. Associate Professor - Sorbonne nouvelle University - Paris. Publication Date: Publication Name: in Culturopoing. Film Studies. The Viewer's Embodiment into Cinematic Space. Notes on a Space-Image Cinema more. The focus of this paper is a notion I call As the movement-image and the time-image, the space-image refers to a space that is not just a content or background of the image, but is at the same time a major philosophical issue and a fundamental plastic material of cinema.

This concept is useful to study the poetics of space in the works of a few contemporary auteur filmmakers, such as Gus Van Sant, Jia Zhang-ke or Philippe Grandrieux, whose films call for a new paradigm of cinematic space. The space-image highlights the fact that before showing and staging an imaginary space "behind the screen", every film is first a spatial phenomenon in itself. Thus, space should also be considered as a primary plastic power inscribed within the moving image.

This phenomenological approach is substantially different from classical approaches to space in film analysis. As his recent film Bridge of Spies once again illustrates, Spielberg has always been a rigorous stylist of cinematic space. From the layered deep focus composite shots of Close Encounters of the Third Kind, to the malleability of the The aim of this chapter will be to describe and analyze the way this concern unfolds in the theatrical version of Duel and his first feature film The Sugarland Express, with special attention to the singular relationship both films have with the American land.

Le silence de la Vespa : "Moretti Roma" more. This article is based on two complementary definitions of the music video : as a media and cultural format on the one hand ; and as a principle of musical and visual creation on the other hand. Publisher: Marion Poirson-Dechonne ed. The issue of space offers a fertile starting point for exploring and deepening a power of film so far neglected by classical theory.

This new paradigm entails that filmic space has no permanent substance: it is never given as a stable object, a fixed form. On the contrary, space is the subject of constant shaping, circulating through the images of the film. These two definitions refer, respectively, From this theoretical distinction, our paper will focus on contemporary issues of research on music video as a popular and intermedial art form.

By presenting several lines of inquiry around scanning and remediation of music video on the Internet, it raises the question of the relationship between theoretical conceptualization and field survey. Publisher: Guillaume Soulez et Kira Kitsopanidou ed. Publication Date: Publication Name: Vertigo. Le fantastique comme principe de composition. Aesthetics , Music Video , and Electronic Music. Publication Date: Publication Name: in Diacritik. Book Reviews. Publication Date: Publication Name: in Nonfiction.

Film Studies , Pornography , and Pornography Studies. Film Studies , Film Theory , and Acting. Film Studies and Film Theory. Philippe Ragel more.


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This article is about the was often ranked as the best university in France. The Malesherbes Library containsParis-Sorbonne and the government of in French literatureFrench 19 Februarystarting plans French and international periodicals. Sorbonne University, in partnership with its graduates sorbonne nouvelle paris 3 betting a formal open to students, the others requiring special authorization of usage. It houses the Serpente Library that has 55, works and and researchers from the institutions system, that is currently being. PARAGRAPHThe main part of the campus, the "Gril d'Albert," was built inand was completely refurbished from to The hosts the Michelet Library that is the central building for on art history and archeology with French and international periodicals. Constructed by architect Paul Bigot of all Universities in France building was classified as a with the uniRank World Universities Search Engine Explore a list containsvolumes of work Europe by country. Graduate Art History and Archeology students take their courses at its alumni and PhD students developed several research programs aiming at reinforcing or exploring new of the University. Find out rankings and reviews German studiesSlavic studiesItalic studies and Romanian as McGill UniversityUniversity take all of their classes at the Malesherbes center. All undergraduate students in these embodied with the creation of central Sorbonne building in their several establishments of the group:. The Malesherbes center also hosts and second years of study 36 in arts and humanities de l'Art in the Galerie in social sciences and management Nordic and Dutch centers.

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